Jay Peterson
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So, I'm preparing for the possibility of getting kicked off of Facebook next year.

6/17/2019

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No, I'm not planning anything particularly untowards, but I am seeing writing on the wall. Beyond the usual, that is.
This is the short and simplified version of the story. I'm saying that right up front because a lot of you are going to start screaming buts and whatabouts in a few sentences.
I've described 2016 as the last Summer of civility. Where opponents could readily agree to disagree. So much so that even if you listened real hard, you couldn't hear the implied, "So long as the likes of YOU don't gain/retain power, of course."
Then the election happened. And a vocal segment of the left went into screaming hysterics and haven't stopped since. "This is not normal." being a euphemism for "how dare you!"
And you wonder why some were relieved that such power wasn't retained?
(Those of you with rising blood pressures and ctrl-c'd articles claiming you're right at the ready, sit down. I told you I'm oversimplifying and I'm coming to the point.)
Somewhere in the chaos, there were inquiries about who to blame. And such eyes turned to social media. Regardless of what you think about foreign interference, fake news, or related matters, none of it would be possible without social media.
The complaints have been bipartisan and in-depth. (though to be honest, I've heard much more "how dare you silence so and so?" from conservatives and more "how dare you let so and so speak?" from liberals.) There have been antitrust rumblings laid against both google and Facebook, but no major actions. Yet.
And then it got weird.
Youtube's algorithm's marked live video of the Notre Dame fire as fake and redirected people to archive footage of 9/11.
A Facebook group about fantasy novels I'm in had the mods slammed for fake news because a member had shared an article about cryptids.
Little things, here and there, which had not been there before.
Personally? And bear in mind this is far-reaching conjecture here. I believe every major platform is adjusting its algorithms in preparation for the 2020 election. Regardless of results, but especially in the wake of a Democrat win, I think a lot of social media companies will have to explain to Congress exactly how the bread was buttered. And CYA is already in play.
And unfortunately, that leaves me in an unfortunate position. When the debates get hot enough, "centrist" and "radical moderate" are just synonyms for "in the crossfire."
So I'm currently archiving a decade's worth of writings, pictures, and anything else I want saved. Just in case I'm taken down with no notice.
If that happens, I don't plan on fighting. I'm not a Facebook customer, I'm a product. I've never paid Facebook a dime and it's given me a lovely way to stay in touch with people for over a decade now. I'll go quietly.
But I'm taking my stuff with me.
Jay the Barbarian will still be my handle, wherever I may roam. I've already planted a flag on Mewe, for thems interested.
As for the rest of you, good luck weathering the storms.
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Acting and amateur hour psychology

6/14/2019

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*The latest in the getting things out of my head series*
Telling a story using one's own body, voice, and face, when you come right down to it.
Invariably involves expressing emotions.
The extent to which an emotion needs to be felt in order to be properly expressed to the audience is, put simply, an argument.
Or rather, several arguments, all jockeying for position into the limelight and trying to be heard over the others.
I'm still forming my opinion as to the various aspects. But if I had to draw a line in the sand, I'd be story-prioritizing. If you're not telling the story, the emotion and expression are wasted.
If I had to say why this was the case, it's because I've found that my related emotions and expressions didn't necessarily fit the story.
Working a while back on a battle scene, I got a note about a lack of "intensity." Which was absolutely right. I was treating a battle scene the way I treat a battle. And my treatment of battle is somewhat casual. Oh, I'm not wandering around a firefight, pausing to scratch myself between dispatching opponents or anything. But I do have a certain amount of pragmatism that causes me to focus on the task at hand in a crisis and not worry too much about anything else.
While that attitude served me well enough in combat, it makes for poor storytelling. Pragmatism came off as lackadaisical in front of the camera. So I took the note and rolled with it, giving a much better performance.
Did my emotions necessarily change? Not really. If anything my internal monologue did. Going from something like this:
"Contact! Shit, missed. Squirrely little...Contact! Damn. It's hot out here. Enough.. dammit. Well, this is a shitstorm. Wonder what chow is tonight? Damn, that fucker's fast. Tacos? Mmmm... tacos."
to this after taking the intensity note.
"CONTACT FRONT! Fuck! Whereishewhereishewhereishe? DIE! DIEMOTHERFUCKERDIE! Shitfuckdamn. Howthefuckmanyarethere.. MOTHERFUCKERDIE!"
No real change in my emotions themselves. But a conscious shift in what I was *presenting* got the good take in the can.
Putting a pin in acting, moving on for a sec to PTSD.
While there's a lot we don't know about PTSD, one of the things we do know is that it behaves like an unhealed wound. To get PTSD, you need trauma and time, minus recovery.
Normally, humans are pretty resilient critters. We experience trauma, we recover, and suffer no real lingering effects.
PTSD kicks in when that recovery is either inadequate, doesn't happen, or otherwise fails. And the trauma remains long after the inciting incident.
Sometimes it's recurrent, like a cut when you pop the stitches out on a regular basis.
Sometimes it's long-running, like a broken bone that wasn't set correctly, and now the limb won't work the way it's supposed to.
Putting another pin in that, and moving on to some conjecture.
Trying to be blunt while not casting aspersions and probably failing both, I'll say this:
One, there's a fair share of actors that are, in technical terms, fucked in the head.
Two, there's another fair share of actors that treat theater as therapy you can occasionally get paid to take.
I won't speak of the extent other than to say that both exist.
The other night, a friend showed me some archival footage of Lee Strasberg directing a guided memory exercise.
Coming from someone who's never had PTSD but seen his fair share of it? The man looked like he was reopening an emotional wound with dirty fingernails and a bottle of red wine.
Long story short, digging around in people's psyches because of some asshole's idea of emotional truth (whatever the fuck that is) is creepifying.
The thought of doing that as a workplace practice is creepifying.
Tell the story. Stay healthy everywhere else.
If your theory or method or practice or whatever you use lets you do that, fine.
If it doesn't, stop doing that shit before someone else gets fucked up further with it.
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Your boundaries are your own

6/8/2019

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(Yeah yeah yeah, I know this topic can be expanded into a fucking book. But right now, your barbaric hetero male host thinks it's important to display this as is. The line for whatabouts forms to the left, off the mainstage. Thank you.)
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A friend noted a concern for people missing out, and how many led reall boring sex lives because they were never encouraged to see exactly where their limits were.
I can kinda see that. Not a fan of the thought of going back to the days of "you're a freak if you step off the Neapolitan spectrum."
But at the same time, I'm wondering where the fuck all these incels, truwe doms, and Wal-Mart christian greys are coming from. And as half of the Cheerful Domestic Pervs, reminding people that if vanilla is what they want, that's perfectly ok, is important too.
Or to keep the analogy going, I can offer a vanilla fan rocky road and not be offended if they turn me down, and not take it as an insult against my spoon.
I can also realize that some people will never like peaches or peanut butter or what have you. And wrapping it up in ice cream isn't going to change that, and that's ok.
Exploring boundaries is important, but just as important is making those explorations on the explorer's terms
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From a subthread

6/5/2019

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(modern children's cartoons) Just preach and indoctrinate now?
If you think that's a modern problem, you haven't paid attention.
It wasn't the Milennials that made the cold war strike against the American heartland with that masterpiece of communist propaganda called the Smurfs. S.M.U.R.F.: Socialist Men United under a Red Father. Take one look at Papa Smurf's red(ha!)-clad ass and try to not see Karl Marx. No names, just descriptions of their overspecializations. A classic case of "to each according to his abilities." Entrepreneur Smurf was probably starving in a gulag somewhere. And Gargamel is one of the more belligerent straw capitalists ever placed in fiction.
On the flip side of that coin, there's G.I. Joe. A perfume-scented love letter with nudes enclosed to the American Military-Industrial complex. Red and blue lasers to coddle the moral majority, and every week a new gadget to pitch to procurement. A desperate attempt to pull the military out of the drug-addled mess it had been throughout the 70's. I'd be amazed if there wasn't a lost episode where Duke and Hawk took executives from General Dynamics and Lock-mart to a titty bar.
Millenials weren't making those.
Meanwhile, today, My Little Pony has given masterclasses in "dealing with bitches in your life without becoming a bitch yourself." The She-Ra reboot is a deep as fuck exploration in divided loyalties, trusting but verifying, and doing the wrong thing for the right reasons. And the Ducktales reboot is openly using Scrooge vs. Glomgold to point out that not only is ethical capitalism possible, it's fucking ideal!
Just preach and indoctrinate, my hairy ass.
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I'm a renfaire brat.

6/3/2019

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I've had my stages of loving it, tired of it, trying not to mention it, and accepting it.
I've been everything from wide-eyed and enchanted to an artist chasing a muse to a blue-collar stiff just trying to make a dollar in them.
Doing so has doodled in the margins of my upbringing and background in dozens of ways I can barely notice until it's pointed out.
I was well into my twenties before I shook a woman's hand more often than I kissed it.
I've fought real-life wars with Shakespeare verses written across my gear.
The villages that raised me have been there through just about every life change you can imagine.
My preferred spot on Memorial day is a corner of a pub, surrounded by people in funny clothes, and that's before you take a look at the ghosts.
The life has left its marks on me, so to speak.
And, like anyone raised in a subculture, seeing it depicted in media for the consumption of those declared "normal" gets weird fast.
This must be what children raised in Hippie communes must feel like watching old Cheech & Chong routines.
I've seen the villages that raised me dramatized by the likes of Mike Judge, Christina Ricci, Will Smith, and George Romero, among others. Most of which I can laugh off, much in the way I imagine Christians can laugh off the concept of Jesus being a supporting character on South Park. Mileage varying.
I have yet to see American Princess.
I know my background is going to color the experience to say the least.
Maybe I'll enjoy it, maybe I won't.
I'm already seeing some Rennies reacting like gunbunnies bitching about an action movie's inaccuracies.
But, as I've experienced with War movies, among others, I've found that if the story is good enough to make a world I can enjoy, my disbelief can hang on the wall next to my cloak.
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    Jay Peterson

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